I love how performative they are and how real they are. Truly Shakespearean people.
养猫的日常:222.19.36.7
烂第一集公寓广告第二集dating app广告第三集关爱mental illness 公益广告,第四集根本不想看了 dated American style比起《chenrendianying》这种关心当代情感关系的片子亚马逊的这个剧集非常肉麻自甘堕落缺乏人性深度和当代性心疼我的一个半小时还不如看A片呢
不连续逻辑:61.232.69.103
Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.